1964: Born  

1972: Developed an interest in art  

1975: First solo exhibition of charcoal and pencil drawings at the Officer’s Club, supported by father  

1976: Began watercolor lessons  

1978: First solo watercolor exhibition  

1983: Started oil painting lessons  

1984: Sold first oil painting for 100,000 Rials  

1986: Solo exhibition of oil paintings  

1988: Expanded artistic practice to include making and arranging artificial flowers  

1990: Trained in Flower Arranging, Los Angeles, California

1992: Earned a Floral Design and Arrangement certificate from Fani Herfeyee in Applied Art and Technology, Mashhad, Khorasan  

1994: Established “Gole Gandom,” the first legal institute for floral design and painting in various materials, in Mashhad, Khorasan  

1994: Began instructing painting to children and floral design to adults  

1994: Began studying literature at Ferdowsi University, Mashhad  

1996: Solo oil painting exhibition in Los Angeles, California  

1998: Graduated with a B.A. in Literature from Ferdowsi University, Mashhad; held another solo oil painting exhibition in Los Angeles, California  

 2014: Solo oil painting exhibition and their limited edition print sale supporting Baran charity’s empowerment , Mashhad theater group for physically disabled Children 

2014: Solo oil painting exhibition in Germany , Spier

2016: Solo oil painting and their prints exhibition in Conejo Valley Art Museum ‘ outdoor show, , Moorpark ,CA

2018: Began working as a tax pro while also holding another Oil painting exhibition in Civic Art Plaza Museum , Thousand oaks ,CA

2018: Group oil painting exhibition in Conejo Valley Art Museum , Moorpark, CA

2018: Group oil painting exhibition in ACCV, Hill Crest, CA

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Art has always been a significant part of my being, a driving force of my inherent nature. It has been a key component in focusing my thoughts and a common thread in concentration, quieting my mind. It allows me to delve into my emotions and define who I am through paint and canvas.

This love emerged in childhood and continues to evolve and develop. My first exhibition of pencil and charcoal drawings was held at the age of ten in the Mashhad Officer’s Club. My father, a senior army officer in pre-revolution Iran, recognized my inclination toward art and has remained a source of inspiration and encouragement throughout my career.

All my experiences have significantly shaped my artistic journey. After a substantial interruption, I resumed serious art studies at the Manouchehr Espahbodi Institute in Mashhad, Iran, at the age of 18. There, I delved into the intricacies of art, learning about perspective, structure, sketches, pastels, ink, and watercolor. My initial venture into oil painting involved copying a stormy sea scene by William Turner, followed by reproductions of works by other artists.

Years later, my style evolved under the influence of 19th- and 20th-century masters. Each of these great artists introduced unique elements that deeply resonated with me. Seurat’s meticulous pointillism, Mondrian’s abstraction, Van Gogh’s emotive brushstrokes, Cézanne’s structured compositions, and Monet’s impressionistic play of light all played pivotal roles in shaping my artistic voice.

Encountering pointillism, with its juxtaposition of small strokes of pure pigment to create form, was a revelation. The technique’s demand for precise application and careful placement of each dot required complete concentration and astute focus, immersing me in the creative process and altering my perception of daily life. The discipline and dedication needed for pointillism mirrored the depth of my commitment to art, making it a transformative experience. However, my true calling was found after being exposed to the work of John Singer Sargent. Sargent’s mastery of portraiture and his ability to capture the essence of his subjects left a lasting impression.

As the journey into abstract art progressed, its profound intrigue became increasingly apparent. Abstract art captivated me with its boundless potential for expression. It spoke to the deepest parts of my being because it demanded a holistic engagement—creation that involved my soul, mind, and heart. This form of art allowed for a complete immersion in the creative process, pushing the boundaries of conventional artistic expression.

Abstract art brought to life my overflowing emotions and thoughts, tapping into my innermost feelings. Each piece became a canvas for my soul, capturing the raw and unfiltered essence of my experiences. Some creations encapsulated a single moment in time, like a unique performance unfolding on a solitary canvas. This transformation was not just about the visual impact but also about conveying a profound emotional narrative. Through a combination of preliminary sketches and meticulously applied layers of paint, a distinct style emerged, one that felt uniquely my own.

In this process, a deeper understanding of the main focal points of my art developed. The necessity of respecting foundational lines and the underlying structure of each piece became evident.

Formal studies in Western Literature at Ferdowsi University have profoundly influenced and enriched my artistic practice. The nuanced understanding of narrative and expression gained from literature has deepened my appreciation for painting as a sophisticated form of communication. This academic background has supported my belief that each brushstroke in painting carries volumes of unspoken prose, representing fragments of the artist’s soul. The interplay between literature and art underscores the power of visual expression to transcend words, creating a profound emotional connection that enhances and complements my artistic vision.